Consumir Cuba
[EN]In this essay, I explore the conditions of production and circulation of post-Soviet Cuban art and literature. I look into both the internal conditions of production and the acute dependency on foreign cultural consecrating agents, especially from Spain. I content that the degree in which these...
| Author: | |
|---|---|
| Format: | Article |
| Publication date: | 2012 |
| Country: | España |
| Institution: | Universidad de Salamanca (USAL) |
| Repository: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/133547 |
| Online Access: | http://hdl.handle.net/10366/133547 |
| Access Level: | Open access |
| Keyword: | Cuba Arte Literatura Mercado Hiperrealismo Art Literature Market Hyperrealism |
| _version_ | 1878733918787600384 |
|---|---|
| author | de Ferrari, Guillermina |
| author_browse | de Ferrari, Guillermina |
| author_facet | de Ferrari, Guillermina |
| author_role | author |
| collection | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| description | [EN]In this essay, I explore the conditions of production and circulation of post-Soviet Cuban art and literature. I look into both the internal conditions of production and the acute dependency on foreign cultural consecrating agents, especially from Spain. I content that the degree in which these factors play a material and conceptual role is so defining that a conversation of influence, commercialization and compromise should be replaced by that of Cuba as a curated culture. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | ES_5f902cdbdd2e80e83b4e7f27fbac1ca4 |
| institution | Universidad de Salamanca (USAL) |
| instname_str | Universidad de Salamanca (USAL) |
| network_acronym_str | ES |
| network_name_str | España |
| oai_identifier_str | oai:gredos.usal.es:10366/133547 |
| publishDate | 2012 |
| publishDateSort | 2012 |
| publisher | Ediciones Universidad de Salamanca (España) |
| publisherStr | Ediciones Universidad de Salamanca (España) |
| reponame_str | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| spelling | Consumir Cuba Cuba: A Curated Culture de Ferrari, Guillermina Cuba Arte Literatura Mercado Hiperrealismo Art Literature Market Hyperrealism [EN]In this essay, I explore the conditions of production and circulation of post-Soviet Cuban art and literature. I look into both the internal conditions of production and the acute dependency on foreign cultural consecrating agents, especially from Spain. I content that the degree in which these factors play a material and conceptual role is so defining that a conversation of influence, commercialization and compromise should be replaced by that of Cuba as a curated culture. [ES]Este ensayo reflexiona sobre la producción y circulación de la literatura y el arte cubanos después de la disolución del bloque socialista soviético. Sostiene que tanto las condiciones internas como la situación de dependencia de actantes culturales extranjeros, sobre todo españoles, en la que se produce la obra cultural cubana, la transforma material y conceptualmente en un grado inusitado. En ese contexto, no se puede hablar sólo de comercialización del arte sino más bien de un proceso de co-administración del significado similar al proceso de curaduría. Ediciones Universidad de Salamanca (España) http://hdl.handle.net/10366/133547 |
| spellingShingle | Consumir Cuba de Ferrari, Guillermina Cuba Arte Literatura Mercado Hiperrealismo Art Literature Market Hyperrealism |
| title | Consumir Cuba |
| title_full | Consumir Cuba |
| title_fullStr | Consumir Cuba |
| title_full_unstemmed | Consumir Cuba |
| title_short | Consumir Cuba |
| title_sort | Consumir Cuba |
| topic | Cuba Arte Literatura Mercado Hiperrealismo Art Literature Market Hyperrealism |
| topic_facet | Cuba Arte Literatura Mercado Hiperrealismo Art Literature Market Hyperrealism |
| url | http://hdl.handle.net/10366/133547 |