Consumir Cuba
[EN]In this essay, I explore the conditions of production and circulation of post-Soviet Cuban art and literature. I look into both the internal conditions of production and the acute dependency on foreign cultural consecrating agents, especially from Spain. I content that the degree in which these...
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| Format: | Article |
| Publication date: | 2012 |
| Country: | España |
| Institution: | Universidad de Salamanca (USAL) |
| Repository: | GREDOS. Repositorio Institucional de la Universidad de Salamanca |
| OAI Identifier: | oai:gredos.usal.es:10366/133547 |
| Online Access: | http://hdl.handle.net/10366/133547 |
| Access Level: | Open access |
| Keyword: | Cuba Arte Literatura Mercado Hiperrealismo Art Literature Market Hyperrealism |
| Summary: | [EN]In this essay, I explore the conditions of production and circulation of post-Soviet Cuban art and literature. I look into both the internal conditions of production and the acute dependency on foreign cultural consecrating agents, especially from Spain. I content that the degree in which these factors play a material and conceptual role is so defining that a conversation of influence, commercialization and compromise should be replaced by that of Cuba as a curated culture. |
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