On music theory in Ancient India: An analysis of the śruti concept in Indian tonal systems
Music theory is an essential aspect of religious, theological, philosophical, and literary thought in India. “Śruti” is a core concept in studies on Indian musicology, and this article presents an introductory analysis divided into three main interconnected topics: the antecedents of the śruti conce...
| Autores: | ; |
|---|---|
| Tipo de documento: | Artigo |
| Estado: | Published version |
| Data de publicação: | 2019 |
| País: | México |
| Recursos: | COLMEX |
| Repositório: | Estudios de Asia y África |
| Idioma: | Espanhol |
| OAI Identifier: | oai:oai.estudiosdeasiayafrica.colmex.mx:article/2534 |
| Acesso em linha: | https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2534 |
| Nível de acesso: | Acesso aberto |
| Palavra-chave: | music theory Ancient India śruti microtonal system Indian musicology teoría musical India antigua sistema microtonal musicología índica |
| Resumo: | Music theory is an essential aspect of religious, theological, philosophical, and literary thought in India. “Śruti” is a core concept in studies on Indian musicology, and this article presents an introductory analysis divided into three main interconnected topics: the antecedents of the śruti concept in the sāman song, the composition of the śruti (microtone) in ancient India’s musical system and, finally, the presentation of a hypothetical reconstruction of the primary scales originated of the Bharata tonal system. Indian musical theory shows a theoretical process of constants and variables, as well as ruptures and continuity in its historical development. |
|---|