La purification ardente et l’échec: Antonin Artaud lu par Josep Palau i Fabre
Antonin Artaud’s « Théâtre de la cruauté » consists in the extreme display of the conflictive nature of the world. The Catalan poet Josep Palau i Fabre highlighted the poetic and negative dimensions of Artaud’s project and insisted on its failure, addressing its impossible objectivation and its simi...
| Author: | |
|---|---|
| Format: | Article |
| Status: | Published version |
| Publication date: | 2023 |
| Country: | España |
| Institution: | Universitat Pompeu Fabra |
| Repository: | Repositorio Digital de la UPF |
| OAI Identifier: | oai:repositori.upf.edu:10230/60595 |
| Online Access: | http://hdl.handle.net/10230/60595 https://dx.doi.org/10.4467/23538953CE.23.003.17565 |
| Access Level: | Open access |
| Keyword: | Théâtre Cruauté Alchimie Poétique négative Vide Dénaissance Échec et créativité |
| Summary: | Antonin Artaud’s « Théâtre de la cruauté » consists in the extreme display of the conflictive nature of the world. The Catalan poet Josep Palau i Fabre highlighted the poetic and negative dimensions of Artaud’s project and insisted on its failure, addressing its impossible objectivation and its similarity with alchemy. The article aims to identify the central elements of Palau’s interpretation, annihilation and debirth, and to assess their inscription in an experimental poetics proposal inspired by alchemy. |
|---|