Lost illusions in Interwar Europe: nation and self in Robert Musil

The work of Robert Musil Der Mann ohne Eigenschaften is not only considered one of the heights of the twentieth century novel, but also constitutes an essay of deep political theoretical depth on the nation and nationalism in interwar Europe. The crisis of the Austro-Hungarian Empire serves as the r...

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Detalles Bibliográficos
Autor: Máiz, Ramón
Tipo de documento: Artículo
Estado:Published version
Fecha de publicación:2022
País:España
Institución:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:idus.us.es:11441/142024
Acceso en línea:https://hdl.handle.net/11441/142024
https://doi.org/10.12795/araucaria.2022.i49.01
Nivel de acceso:Acceso abierto
Palabra clave:Nacionalismo
Nacionalidades
Imperio Austro-Húngaro,
Robert Musil
Identidad colectiva
Nationalism
Nationalities
Austro-Hungarian Empire
Collective identity
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author Máiz, Ramón
author_browse Máiz, Ramón
author_facet Máiz, Ramón
author_role author
collection idUS. Depósito de Investigación de la Universidad de Sevilla
description The work of Robert Musil Der Mann ohne Eigenschaften is not only considered one of the heights of the twentieth century novel, but also constitutes an essay of deep political theoretical depth on the nation and nationalism in interwar Europe. The crisis of the Austro-Hungarian Empire serves as the reason for the author to develop a deep critique of some of the fundamental theoretical foundations of modern political thought. This article shows how the systematic criticism to which essentialist and racist nationalism is subjected in the work is based on a review of two of the philosophical assumptions that make it possible: the linear conception of time and history, and the metaphysics of the subject. The analysis explores the deep relationship that exists in the work between individual identity (the subject) and collective identity (the nation), between the crisis of the modern unitary subject as an autonomous individual and the difficulties of the construction of a pluralist and democratic concept, inclusive of Nation.
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instname_str Universidad de Sevilla (US)
network_acronym_str ES
network_name_str España
oai_identifier_str oai:idus.us.es:11441/142024
publishDate 2022
publishDateSort 2022
reponame_str idUS. Depósito de Investigación de la Universidad de Sevilla
spelling Lost illusions in Interwar Europe: nation and self in Robert Musil Ilusiones perdidas en la Europa de entreguerras: nación y yo en Robert Musil Máiz, Ramón Nacionalismo Nacionalidades Imperio Austro-Húngaro, Robert Musil Identidad colectiva Nationalism Nationalities Austro-Hungarian Empire Collective identity The work of Robert Musil Der Mann ohne Eigenschaften is not only considered one of the heights of the twentieth century novel, but also constitutes an essay of deep political theoretical depth on the nation and nationalism in interwar Europe. The crisis of the Austro-Hungarian Empire serves as the reason for the author to develop a deep critique of some of the fundamental theoretical foundations of modern political thought. This article shows how the systematic criticism to which essentialist and racist nationalism is subjected in the work is based on a review of two of the philosophical assumptions that make it possible: the linear conception of time and history, and the metaphysics of the subject. The analysis explores the deep relationship that exists in the work between individual identity (the subject) and collective identity (the nation), between the crisis of the modern unitary subject as an autonomous individual and the difficulties of the construction of a pluralist and democratic concept, inclusive of Nation. La obra de Robert Musil Der Mann ohne Eigenschaften no sólo se considera una de las cumbres de la novela del siglo XX, sino que constituye también un ensayo de profundo calado teórico político sobre la nación y los nacionalismos en la Europa de entreguerras. La crisis del Imperio austrohúngaro sirve de motivo al autor para desarrollar una crítica profunda de algunos de los fundamentos teóricos fundamentales del pensamiento político moderno. Este artículo muestra cómo la crítica sistemática a la que el nacionalismo esencialista y racista se somete en la obra se basa en una revisión de dos de los presupuestos filosóficos que la hacen posible: la concepción lineal del tiempo y la historia, y la metafísica del sujeto. El análisis explora las profunda relación que existe en la obra entre la identidad individual (el sujeto) y la identidad colectiva (la nación), entre la crisis del sujeto unitario moderno como individuo autónomo y las dificultades de la construcción de un concepto pluralista, democrático e inclusivo de Nación. https://hdl.handle.net/11441/142024 https://doi.org/10.12795/araucaria.2022.i49.01
spellingShingle Lost illusions in Interwar Europe: nation and self in Robert Musil
Máiz, Ramón
Nacionalismo
Nacionalidades
Imperio Austro-Húngaro,
Robert Musil
Identidad colectiva
Nationalism
Nationalities
Austro-Hungarian Empire
Collective identity
status_str publishedVersion
title Lost illusions in Interwar Europe: nation and self in Robert Musil
title_full Lost illusions in Interwar Europe: nation and self in Robert Musil
title_fullStr Lost illusions in Interwar Europe: nation and self in Robert Musil
title_full_unstemmed Lost illusions in Interwar Europe: nation and self in Robert Musil
title_short Lost illusions in Interwar Europe: nation and self in Robert Musil
title_sort Lost illusions in Interwar Europe: nation and self in Robert Musil
topic Nacionalismo
Nacionalidades
Imperio Austro-Húngaro,
Robert Musil
Identidad colectiva
Nationalism
Nationalities
Austro-Hungarian Empire
Collective identity
topic_facet Nacionalismo
Nacionalidades
Imperio Austro-Húngaro,
Robert Musil
Identidad colectiva
Nationalism
Nationalities
Austro-Hungarian Empire
Collective identity
url https://hdl.handle.net/11441/142024
https://doi.org/10.12795/araucaria.2022.i49.01