Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format
This work characterizes interactive documentary as a native transme-dia audiovisual format. This particular form of narrative expression often brings together and concentrates different media, formats and platforms through a metaphor and interactive navigation. Interactive documentary needs to fulfi...
| Authors: | ; ; |
|---|---|
| Format: | Article |
| Status: | Published version |
| Publication date: | 2019 |
| Country: | España |
| Institution: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repository: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/26487 |
| Online Access: | http://hdl.handle.net/10256/26487 |
| Access Level: | Open access |
| Keyword: | Narrativa transmèdia Transmedia narrative Cinema documental Documentary films |
| _version_ | 1878738711902945280 |
|---|---|
| author | Gifreu Castells, Arnau |
| author2 | Sánchez Castillo, Sebastián Galán Cubillo, Esteban |
| author2_role | author author |
| author_browse | Galán Cubillo, Esteban Gifreu Castells, Arnau Sánchez Castillo, Sebastián |
| author_facet | Gifreu Castells, Arnau Sánchez Castillo, Sebastián Galán Cubillo, Esteban |
| author_role | author |
| collection | Recercat. Dipósit de la Recerca de Catalunya |
| description | This work characterizes interactive documentary as a native transme-dia audiovisual format. This particular form of narrative expression often brings together and concentrates different media, formats and platforms through a metaphor and interactive navigation. Interactive documentary needs to fulfill a series of requirements to be considered a “native transmedia format”. This hypothesis is tested by selecting a set of representative projects and analyzing them for this purpose. First, we define and characterize the concept of trans-media narrative. Second, the concept of interactive and transmedia non-fiction is explored to bring into focus the specific narrative expression of interactive documentary. Third, we identify a small sample of projects from different coun-tries. From this small sample, we chose the project Sexo, maracas y chihuahuas(Minimal Films, RTVE.ES, TVC, Labyrinz Studio, 2016) to be analyzed as a case study. We present the results, indicators and key structures determined in the qualitative analysis of the sample in the conclusions of the article. The three structures detected as the native transmedia format of interactive documentary are the “timeline structure”, the “container structure” and the “mosaic structure”. In the different projects analyzed, one type of structure predominates or there is a mix of the three structures |
| eu_rights_str_mv | openAccess |
| format | article |
| id | ES_b3bd6545ebd99df92d0bfcfb6b2bf97c |
| institution | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| instname_str | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| network_acronym_str | ES |
| network_name_str | España |
| oai_identifier_str | oai:recercat.cat:10256/26487 |
| publishDate | 2019 |
| publishDateSort | 2019 |
| publisher | Universidad de Alcalá |
| publisherStr | Universidad de Alcalá |
| reponame_str | Recercat. Dipósit de la Recerca de Catalunya |
| spelling | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format Gifreu Castells, Arnau Sánchez Castillo, Sebastián Galán Cubillo, Esteban Narrativa transmèdia Transmedia narrative Cinema documental Documentary films This work characterizes interactive documentary as a native transme-dia audiovisual format. This particular form of narrative expression often brings together and concentrates different media, formats and platforms through a metaphor and interactive navigation. Interactive documentary needs to fulfill a series of requirements to be considered a “native transmedia format”. This hypothesis is tested by selecting a set of representative projects and analyzing them for this purpose. First, we define and characterize the concept of trans-media narrative. Second, the concept of interactive and transmedia non-fiction is explored to bring into focus the specific narrative expression of interactive documentary. Third, we identify a small sample of projects from different coun-tries. From this small sample, we chose the project Sexo, maracas y chihuahuas(Minimal Films, RTVE.ES, TVC, Labyrinz Studio, 2016) to be analyzed as a case study. We present the results, indicators and key structures determined in the qualitative analysis of the sample in the conclusions of the article. The three structures detected as the native transmedia format of interactive documentary are the “timeline structure”, the “container structure” and the “mosaic structure”. In the different projects analyzed, one type of structure predominates or there is a mix of the three structures Este trabajo caracteriza al documental interactivo como un formato audiovisual nativo transmedia. Esta forma de expresión narrativa particular a menudo aglutina y concentra los diferentes medios, formatos y plataformas a través de la metáfora y navegación interactivas. El documental interactivo cumpliría entonces una serie de requisitos para ser considerado como “formato nativo transmedia”, y esta hipótesis se demuestra a partir de la selección de un conjunto de proyectos representativos analizados a tal efecto. En primer lugar, se define y caracteriza el concepto de narrativa transmedia. A continuación, se realiza una aproximación al concepto de no ficción interactiva y transmedia, para focalizar el objeto de estudio en la forma adecuada de expresión narrativa del documental interactivo. En tercer lugar, se identifica una muestra reducida de proyectos provenientes de diferentes países. De la muestra reducida de proyectos se ha elegido el proyecto Sexo, maracas y chihuahuas (Minimal Films, RTVE.ES, TVC, Labyrinz Studio, 2016) para ser analizado como caso de estudio. En las conclusiones del artículo se exponen los resultados, indicadores y estructuras clave detectadas a partir del análisis cualitativo de la muestra. Las tres estructuras detectadas como formato nativo transmedia del documental interactivo son la “estructura línea de tiempo”, la “estructura contenedor” y la “estructura mosaico”. En los diferentes proyectos analizados predomina un tipo de estructura o una mezcla entre ellas Universidad de Alcalá http://hdl.handle.net/10256/26487 |
| spellingShingle | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format Gifreu Castells, Arnau Narrativa transmèdia Transmedia narrative Cinema documental Documentary films |
| status_str | publishedVersion |
| title | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format |
| title_full | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format |
| title_fullStr | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format |
| title_full_unstemmed | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format |
| title_short | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format |
| title_sort | Aproximación al documental interactivo como formato nativo transmedia = Approach to the interactive documentary as transmedia format |
| topic | Narrativa transmèdia Transmedia narrative Cinema documental Documentary films |
| topic_facet | Narrativa transmèdia Transmedia narrative Cinema documental Documentary films |
| url | http://hdl.handle.net/10256/26487 |