Ensayando entre intervalos: el montaje audiovisual como dispositivo crítico de ensamblaje
[EN] This paper is an essay in the form of a pill with which to propose some approaches to audiovisual montage as a critical device. The implications of this framework propose the possibility of visual and sound articulation as an experimental method capable of rethinking its object of study. The wa...
| Author: | |
|---|---|
| Format: | Book chapter |
| Publication date: | 2022 |
| Country: | España |
| Institution: | Universitat Politècnica de València (UPV) |
| Repository: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Language: | Spanish |
| OAI Identifier: | oai:riunet.upv.es:10251/186371 |
| Online Access: | https://riunet.upv.es/handle/10251/186371 |
| Access Level: | Open access |
| Keyword: | Montaje Ensayo Dispositivo Arte Montage Essay Device Art |
| Summary: | [EN] This paper is an essay in the form of a pill with which to propose some approaches to audiovisual montage as a critical device. The implications of this framework propose the possibility of visual and sound articulation as an experimental method capable of rethinking its object of study. The ways in which this would be achieved are based on the diagenetic rupture through disruptive elements that encourage the interstitial clash between frames, producing new significant encounters in the filmic flow. Therefore, the purpose of this writing is to present some examples of film practice that show how they have displaced the diegetic plane to meet the spectator in an effort to make them a participant in their visible processes of questioning through montage strategies. |
|---|