Acumulación y despojamiento en el lenguaje pictórico de Joan Hernández Pijuan
Abstract. Arises in the presentation using what is apprehended from the reality closer to the identity of the artist, in a duality of 'accumulation-stripping' to build a creative language, nourished by the fact that the environment is capable of synthesizing this reality in pure pictorial matter in...
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| Tipo de documento: | Artículo |
| Estado: | Published version |
| Fecha de publicación: | 2012 |
| País: | España |
| Institución: | Universidad de Barcelona |
| Repositorio: | Dipòsit Digital de la UB |
| OAI Identifier: | oai:diposit.ub.edu:2445/180538 |
| Acceso en línea: | https://hdl.handle.net/2445/180538 |
| Nivel de acceso: | Acceso abierto |
| Palabra clave: | Pintura Història de l'art Painting Art history |
| Sumario: | Abstract. Arises in the presentation using what is apprehended from the reality closer to the identity of the artist, in a duality of 'accumulation-stripping' to build a creative language, nourished by the fact that the environment is capable of synthesizing this reality in pure pictorial matter in which the gesture, acts both as a symbol of the perceived primal as the intrinsic value of the 'painting-painting' in itself, Keywords: Perception, síntesis, creative language, symbol, picture-painting |
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