«En un delirio de esponja con cien ojos»: brevedad y fragmentariedad en la «autonovela» de Eduardo Berti
The present work aims at studying the fusion between the autofiction and the metafiction in Eduardo Berti’s <em>autonovela</em>. The paper focuses on the different strategies used by the Argentine writer in order to create the fragmentation, brevity and fractality in the narrative discourse. It conc...
| Autor: | |
|---|---|
| Tipo de documento: | Artículo |
| Fecha de publicación: | 2021 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Lenguaje: | Español |
| OAI Identifier: | oai:dadun.unav.edu:10171/63961 |
| Acceso en línea: | https://hdl.handle.net/10171/63961 |
| Nivel de acceso: | Acceso abierto |
| Palabra clave: | Eduardo Berti Fragmentariedad Fractalidad Metaficción Autonovela |
| Sumario: | The present work aims at studying the fusion between the autofiction and the metafiction in Eduardo Berti’s <em>autonovela</em>. The paper focuses on the different strategies used by the Argentine writer in order to create the fragmentation, brevity and fractality in the narrative discourse. It concludes with the argument that fragmentary writing is the most convenient form of autofictional literature. |
|---|