El grado cero de la estética: el vídeo en la obra de Fredric Jameson
This article aims to analyze critically the proposal of reconstruction of traditional aesthetics that the American philosopher Fredric Jameson explains in his essay “Surrealism without the Unconscious,” in connection with artistic formulations in video format and commercial television.
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| Tipo de documento: | Artículo |
| Fecha de publicación: | 2011 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Lenguaje: | Español |
| OAI Identifier: | oai:dadun.unav.edu:10171/22949 |
| Acceso en línea: | https://hdl.handle.net/10171/22949 |
| Nivel de acceso: | Acceso abierto |
| Palabra clave: | Postmodernidad Videoarte Estética |
| Sumario: | This article aims to analyze critically the proposal of reconstruction of traditional aesthetics that the American philosopher Fredric Jameson explains in his essay “Surrealism without the Unconscious,” in connection with artistic formulations in video format and commercial television. |
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