El grado cero de la estética: el vídeo en la obra de Fredric Jameson
This article aims to analyze critically the proposal of reconstruction of traditional aesthetics that the American philosopher Fredric Jameson explains in his essay “Surrealism without the Unconscious,” in connection with artistic formulations in video format and commercial television.
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| Tipo de documento: | Artigo |
| Data de publicação: | 2011 |
| País: | España |
| Recursos: | Universidad de Navarra |
| Repositório: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | Espanhol |
| OAI Identifier: | oai:dadun.unav.edu:10171/22949 |
| Acesso em linha: | https://hdl.handle.net/10171/22949 |
| Nível de acesso: | Acesso aberto |
| Palavra-chave: | Postmodernidad Videoarte Estética |
| Resumo: | This article aims to analyze critically the proposal of reconstruction of traditional aesthetics that the American philosopher Fredric Jameson explains in his essay “Surrealism without the Unconscious,” in connection with artistic formulations in video format and commercial television. |
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