Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice

The archetype of the vessel, declined ontologically as heterotopia and etymologically as trait d’union of a commu-nity, becomes the pretext to propose the restoration of Venice’s citizenship through a “poetics of reuse”. The relationship be-tween ephemeral architecture and historical heritage is ana...

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Autores: Zorzetto, Alessandro; Barrios Padura, Ángela; Molina Huelva, Marta; Marzo, Mauro
Tipo de documento: Artículo
Estado:Published version
Fecha de publicación:2022
País:España
Institución:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:idus.us.es:11441/144732
Acceso en línea:https://hdl.handle.net/11441/144732
https://doi.org/10.3846/jau.2022.17078
Nivel de acceso:Acceso abierto
Palabra clave:Reuse
Regeneration
Heritage
Venice
Ephemeral
Biennale
Atlas
Taxonomy
Ethics
Manifesto
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author Zorzetto, Alessandro
author2 Barrios Padura, Ángela
Molina Huelva, Marta
Marzo, Mauro
author2_role author
author
author
author_browse Barrios Padura, Ángela
Marzo, Mauro
Molina Huelva, Marta
Zorzetto, Alessandro
author_facet Zorzetto, Alessandro
Barrios Padura, Ángela
Molina Huelva, Marta
Marzo, Mauro
author_role author
collection idUS. Depósito de Investigación de la Universidad de Sevilla
description The archetype of the vessel, declined ontologically as heterotopia and etymologically as trait d’union of a commu-nity, becomes the pretext to propose the restoration of Venice’s citizenship through a “poetics of reuse”. The relationship be-tween ephemeral architecture and historical heritage is analysed according to the three criteria identified by Pierre Pinon.The concept of reutilisation is declined through building materials. Reconversion is identified through examples of radicalchange of use of historic military buildings. Reappropriation is associated with the temporary expansion of the potential ofpublic space through architectural installations. Case studies corresponding to each category are identified, and from theprimary sources the three-dimensional redesign of these projects is contextualised in the historical surroundings, in orderto deduce considerations regarding the relationship between the two frameworks. Since the case studies are very extensiveand rather heterogeneous, the novelty lies in the transversal reading approach that returns the Biennale’s magnificent cente-nary activity directly to the city and its inhabitants, subverting the negative connotation that cultural tourism has acquiredon the island. The research aims to create an atlas of ephemeral architecture, define a taxonomy and draw up a documentcontaining guidelines for future experiences of ephemeral architecture in the city.
eu_rights_str_mv openAccess
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id ES_4c73e62f7931e5244471b083b3fbca08
institution Universidad de Sevilla (US)
instname_str Universidad de Sevilla (US)
network_acronym_str ES
network_name_str España
oai_identifier_str oai:idus.us.es:11441/144732
publishDate 2022
publishDateSort 2022
publisher Vilnius Gediminas Technical University Journals
publisherStr Vilnius Gediminas Technical University Journals
reponame_str idUS. Depósito de Investigación de la Universidad de Sevilla
spelling Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice Zorzetto, Alessandro Barrios Padura, Ángela Molina Huelva, Marta Marzo, Mauro Reuse Regeneration Heritage Venice Ephemeral Biennale Atlas Taxonomy Ethics Manifesto The archetype of the vessel, declined ontologically as heterotopia and etymologically as trait d’union of a commu-nity, becomes the pretext to propose the restoration of Venice’s citizenship through a “poetics of reuse”. The relationship be-tween ephemeral architecture and historical heritage is analysed according to the three criteria identified by Pierre Pinon.The concept of reutilisation is declined through building materials. Reconversion is identified through examples of radicalchange of use of historic military buildings. Reappropriation is associated with the temporary expansion of the potential ofpublic space through architectural installations. Case studies corresponding to each category are identified, and from theprimary sources the three-dimensional redesign of these projects is contextualised in the historical surroundings, in orderto deduce considerations regarding the relationship between the two frameworks. Since the case studies are very extensiveand rather heterogeneous, the novelty lies in the transversal reading approach that returns the Biennale’s magnificent cente-nary activity directly to the city and its inhabitants, subverting the negative connotation that cultural tourism has acquiredon the island. The research aims to create an atlas of ephemeral architecture, define a taxonomy and draw up a documentcontaining guidelines for future experiences of ephemeral architecture in the city. Vilnius Gediminas Technical University Journals https://hdl.handle.net/11441/144732 https://doi.org/10.3846/jau.2022.17078
spellingShingle Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
Zorzetto, Alessandro
Reuse
Regeneration
Heritage
Venice
Ephemeral
Biennale
Atlas
Taxonomy
Ethics
Manifesto
status_str publishedVersion
title Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
title_full Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
title_fullStr Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
title_full_unstemmed Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
title_short Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
title_sort Poetics of reuse of the historical heritage: three case studies of ephemeral architecture in Venice
topic Reuse
Regeneration
Heritage
Venice
Ephemeral
Biennale
Atlas
Taxonomy
Ethics
Manifesto
topic_facet Reuse
Regeneration
Heritage
Venice
Ephemeral
Biennale
Atlas
Taxonomy
Ethics
Manifesto
url https://hdl.handle.net/11441/144732
https://doi.org/10.3846/jau.2022.17078