"Escarramán, rufianes y la muerte" (1966), de Carlos Fossatti: un Escarramán uruguayo
The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarramán, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jácaras to the specificity of the artistic and...
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| Format: | Article |
| Publication date: | 2019 |
| Country: | España |
| Institution: | Universidad de Navarra |
| Repository: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Language: | Spanish |
| OAI Identifier: | oai:dadun.unav.edu:10171/61541 |
| Online Access: | https://hdl.handle.net/10171/61541 |
| Access Level: | Open access |
| Keyword: | Jácaras grabado Quevedo Uruguay |
| Summary: | The author of this article analyses an unknown engraving by the Uruguayan Carlos Fossatti on the topic of Escarramán, trying to emphasize the relations between the text of Quevedo and the plastic hypertext of Fossatti, and the contribution of Quevedo’s jácaras to the specificity of the artistic and sociocultural context of the Uruguay around the years 1960-1970. |
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