Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry

The Political Economy of the Communication provides the theoretical platform to understand the film Cuban movement from the concept of cultural industry. The initial conception of ICAIC regarding the cinema like an artistic more than economic fact is coherent with the unproductive condition of the w...

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Authors: Oro Oro, Hansel Pavel; Olivera Pérez, Dasniel
Format: Article
Status:Published version
Publication date:2016
Country:Ecuador
Institution:Revista CHASQUI
Repository:Revista CHASQUI
Language:Spanish
OAI Identifier:oai:ojs.www.ciespal.org:article/2964
Online Access:https://revistachasqui.org/index.php/chasqui/article/view/2964
Access Level:Open access
Keyword:Political Economy of Communication
Cuban cinema
cultural policy
Economía Política de la Comunicación
cine cubano
política cultural
Economia política da Comunicação
cinema cubano
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author Oro Oro, Hansel Pavel
author2 Olivera Pérez, Dasniel
author2_role author
author_browse Olivera Pérez, Dasniel
Oro Oro, Hansel Pavel
author_facet Oro Oro, Hansel Pavel
Olivera Pérez, Dasniel
author_role author
collection Revista CHASQUI
description The Political Economy of the Communication provides the theoretical platform to understand the film Cuban movement from the concept of cultural industry. The initial conception of ICAIC regarding the cinema like an artistic more than economic fact is coherent with the unproductive condition of the work and the social high value that characterizes its activity. They are verified, nevertheless, contradictions and critical tensions in connection with the social purpose and the economic sustainable, author’s production and the financing sources, the defense of the national identity and the insert in commercial circuits at global level.
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identifier_str_mv 10.16921/chasqui.v0i132.2964
institution Revista CHASQUI
instname_str Revista CHASQUI
language spa
network_acronym_str EC
network_name_str Ecuador
oai_identifier_str oai:ojs.www.ciespal.org:article/2964
publishDate 2016
publishDateSort 2016
publisher CIESPAL
publisherStr CIESPAL
reponame_str Revista CHASQUI
spelling Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry Breve caracterización del Instituto Cubano de Arte e Industria Cinematográficos como industria cultural Breve caracterização do Instituto Cubano de Arte e Indústria Cinematográfica como indústria cultural Oro Oro, Hansel Pavel Olivera Pérez, Dasniel Political Economy of Communication Cuban cinema cultural policy Economía Política de la Comunicación cine cubano política cultural Economia política da Comunicação cinema cubano The Political Economy of the Communication provides the theoretical platform to understand the film Cuban movement from the concept of cultural industry. The initial conception of ICAIC regarding the cinema like an artistic more than economic fact is coherent with the unproductive condition of the work and the social high value that characterizes its activity. They are verified, nevertheless, contradictions and critical tensions in connection with the social purpose and the economic sustainable, author’s production and the financing sources, the defense of the national identity and the insert in commercial circuits at global level. La Economía Política de la Comunicación proporciona la plataforma teórica para comprender el movimiento cinematográfico cubano desde el concepto de industria cultural. La concepción fundacional del ICAIC respecto al cine como un hecho artístico más que económico resulta coherente con la condición improductiva del trabajo y el alto valor social que caracteriza su actividad. Se constatan, no obstante, contradicciones y tensiones críticas en relación con la finalidad social y la sostenibilidad económica, la producción de autor y las fuentes de financiamiento, la defensa de la identidad nacional y la necesidad de inserción en circuitos comerciales a nivel global. A Economia Política da Comunicação proporciona a plataforma teórica para compreender o movimiento cinematográfico cubano a partir do conceito de indústria cultural. A concepção fundacional do ICAIC sobre o cinema como realização artística mais do que econômica resulta coerente com a condição improdutiva do trabalho e o alto valor social que caracteriza essa atividade. Constata-se, não obstante, contradições e tensões críticas em relação à finalidade social e a sustentabilidade econômica, a produção do autor e as fontes de financiamento, a defesa da identidade nacional e a necessidade de inserção nos circuitos comerciales globais. CIESPAL https://revistachasqui.org/index.php/chasqui/article/view/2964 10.16921/chasqui.v0i132.2964
spellingShingle Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
Oro Oro, Hansel Pavel
Political Economy of Communication
Cuban cinema
cultural policy
Economía Política de la Comunicación
cine cubano
política cultural
Economia política da Comunicação
cinema cubano
status_str publishedVersion
title Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
title_full Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
title_fullStr Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
title_full_unstemmed Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
title_short Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
title_sort Brief characterization of the Cuban Institute of Film Art and Industry as cultural industry
topic Political Economy of Communication
Cuban cinema
cultural policy
Economía Política de la Comunicación
cine cubano
política cultural
Economia política da Comunicação
cinema cubano
topic_facet Political Economy of Communication
Cuban cinema
cultural policy
Economía Política de la Comunicación
cine cubano
política cultural
Economia política da Comunicação
cinema cubano
url https://revistachasqui.org/index.php/chasqui/article/view/2964