The Fabulous Encounter between Cristiane Sobral, Conceição Evaristo, and Bertolt Brecht: An Analysis of the Work Uma boneca no lixo
The book Uma boneca no lixo enables a reading that through the social and technical-teatrical character allows one extensive analysis of political and social elements prevailing in the structurally racist and capitalist society. The main focus of this research involves the literary study of Sobral’s...
| Autores: | ; |
|---|---|
| Tipo de documento: | Artículo |
| Estado: | Published version |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | UFPE |
| Repositorio: | Revista Investigações (Online) |
| Lenguaje: | Portugués |
| OAI Identifier: | oai:oai.periodicos.ufpe.br:article/258408 |
| Acceso en línea: | https://periodicos.ufpe.br/revistas/INV/article/view/258408 |
| Nivel de acceso: | Acceso abierto |
| Palabra clave: | Cristiane Sobral Conceição Evaristo Bertolt Brecht Uma boneca no lixo Bertholt Brecht |
| Sumario: | The book Uma boneca no lixo enables a reading that through the social and technical-teatrical character allows one extensive analysis of political and social elements prevailing in the structurally racist and capitalist society. The main focus of this research involves the literary study of Sobral’s text, taking into consideration the strong presence of Epic Theater and Conceição Evaristo in the theatrical text. From these meetings it was possible to obtain a powerful provocation contained in Sobral’s work, as a black writer, that makes it possible to question a lot of prejudices and racism impregnated in society through her politicizing work. |
|---|