Characteristics of nationalized creation of Chinese accordion music
Musical art develops together with instrumental art and musical pedagogy. This research aimed to study the characteristics of the nationalized creativity of Chinese accordion music. First of all, the authors identified the characteristic features of accordion music and its influence on the preservat...
| Authors: | ; ; ; |
|---|---|
| Format: | Article |
| Status: | Published version |
| Publication date: | 2024 |
| Country: | Brasil |
| Institution: | UFG |
| Repository: | Revista Música Hodie (Online) |
| Language: | English |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/79406 |
| Online Access: | https://revistas.ufg.br/musica/article/view/79406 |
| Access Level: | Open access |
| Keyword: | music expressiveness onomatopoeia technique sound polyphony timbre colors performance ideas expressividade musical técnica de onomatopeia polifonia sonora cores timbres ideias performáticas |
| _version_ | 1878757251030712320 |
|---|---|
| author | Sun , Ruichen |
| author2 | Bai, Yuqi Zang , Fangyi Peng, Chao |
| author2_role | author author author |
| author_browse | Bai, Yuqi Peng, Chao Sun , Ruichen Zang , Fangyi |
| author_facet | Sun , Ruichen Bai, Yuqi Zang , Fangyi Peng, Chao |
| author_role | author |
| collection | Revista Música Hodie (Online) |
| description | Musical art develops together with instrumental art and musical pedagogy. This research aimed to study the characteristics of the nationalized creativity of Chinese accordion music. First of all, the authors identified the characteristic features of accordion music and its influence on the preservation of national traditions using the synthesis method. The indicators were as follows: onomatopoeia, seriality, Qu Pai musical form, polyphony, and pentatonic, hexatonic, and heptatonic modes. The researchers established that processing was more effective for creating new compositions than transcription since it was associated with more complicated rhythms and higher expressiveness. The students determined that the most significant problem of accordion music was insufficient musical repertoire (29%) since most of the compositions were transformed into music types to preserve national traditions. An analysis of the musical compositions “Flower Garden” by Junhao Mao and “Hometown Singing with Camp” by Qi Wang revealed that “Flower Garden” was more saturated with national Chinese motifs, which combined pentatonic mode and sound symmetry. The practical significance of this paper is based on the possibility of using the presented materials to improve the skills of playing the accordion. The identified advantages and recommendations contribute to the creation of new compositions that will be aimed at displaying national motives. The research prospects are based on the possibility of comparing the specifics of writing national Chinese and European accordion music. |
| eu_rights_str_mv | openAccess |
| format | article |
| id | BR_6c17c5f40bf8a4f9033bce42c9e7b5ce |
| institution | UFG |
| instname_str | Universidade Federal de Goiás (UFG) |
| language | eng |
| network_acronym_str | BR |
| network_name_str | Brasil |
| oai_identifier_str | oai:ojs.revistas.ufg.br:article/79406 |
| publishDate | 2024 |
| publishDateSort | 2024 |
| publisher | Universidade Federal de Goiás |
| publisherStr | Universidade Federal de Goiás |
| reponame_str | Revista Música Hodie (Online) |
| spelling | Characteristics of nationalized creation of Chinese accordion music Características da criação nacionalizada da música chinesa para acordeão Sun , Ruichen Bai, Yuqi Zang , Fangyi Peng, Chao music expressiveness onomatopoeia technique sound polyphony timbre colors performance ideas expressividade musical técnica de onomatopeia polifonia sonora cores timbres ideias performáticas Musical art develops together with instrumental art and musical pedagogy. This research aimed to study the characteristics of the nationalized creativity of Chinese accordion music. First of all, the authors identified the characteristic features of accordion music and its influence on the preservation of national traditions using the synthesis method. The indicators were as follows: onomatopoeia, seriality, Qu Pai musical form, polyphony, and pentatonic, hexatonic, and heptatonic modes. The researchers established that processing was more effective for creating new compositions than transcription since it was associated with more complicated rhythms and higher expressiveness. The students determined that the most significant problem of accordion music was insufficient musical repertoire (29%) since most of the compositions were transformed into music types to preserve national traditions. An analysis of the musical compositions “Flower Garden” by Junhao Mao and “Hometown Singing with Camp” by Qi Wang revealed that “Flower Garden” was more saturated with national Chinese motifs, which combined pentatonic mode and sound symmetry. The practical significance of this paper is based on the possibility of using the presented materials to improve the skills of playing the accordion. The identified advantages and recommendations contribute to the creation of new compositions that will be aimed at displaying national motives. The research prospects are based on the possibility of comparing the specifics of writing national Chinese and European accordion music. A arte musical se desenvolve juntamente com a arte instrumental e a pedagogia musical. Esta pesquisa teve como objetivo estudar as características da criatividade nacionalizada da música de acordeão chinesa. Em primeiro lugar, os autores identificaram os traços característicos da música de acordeão e a sua influência na preservação das tradições nacionais através do método de síntese. Os indicadores foram os seguintes: onomatopeia, serialidade, forma musical Qu Pai, polifonia e modos pentatônico, hexatônico e heptatônico. Os pesquisadores constataram que o processamento era mais eficaz para a criação de novas composições do que a transcrição, pois estava associado a ritmos mais complicados e maior expressividade. Os alunos determinaram que o problema mais significativo da música de acordeão era o repertório musical insuficiente (29%), uma vez que a maioria das composições foram transformadas em tipos musicais para preservar as tradições nacionais. Uma análise das composições musicais “Flower Garden” de Junhao Mao e “Hometown Singing with Camp” de Qi Wang revelou que “Flower Garden” estava mais saturado com motivos nacionais chineses, que combinavam modo pentatónico e simetria sonora. O significado prático deste artigo baseia-se na possibilidade de utilizar os materiais apresentados para aprimorar as habilidades de tocar acordeão. As vantagens e recomendações identificadas contribuem para a criação de novas composições que terão como objetivo apresentar motivos nacionais. As perspectivas da investigação baseiam-se na possibilidade de comparar as especificidades da escrita da música nacional chinesa e europeia para acordeão. Universidade Federal de Goiás https://revistas.ufg.br/musica/article/view/79406 10.5216/mh.v24.79406 |
| spellingShingle | Characteristics of nationalized creation of Chinese accordion music Sun , Ruichen music expressiveness onomatopoeia technique sound polyphony timbre colors performance ideas expressividade musical técnica de onomatopeia polifonia sonora cores timbres ideias performáticas |
| status_str | publishedVersion |
| title | Characteristics of nationalized creation of Chinese accordion music |
| title_full | Characteristics of nationalized creation of Chinese accordion music |
| title_fullStr | Characteristics of nationalized creation of Chinese accordion music |
| title_full_unstemmed | Characteristics of nationalized creation of Chinese accordion music |
| title_short | Characteristics of nationalized creation of Chinese accordion music |
| title_sort | Characteristics of nationalized creation of Chinese accordion music |
| topic | music expressiveness onomatopoeia technique sound polyphony timbre colors performance ideas expressividade musical técnica de onomatopeia polifonia sonora cores timbres ideias performáticas |
| topic_facet | music expressiveness onomatopoeia technique sound polyphony timbre colors performance ideas expressividade musical técnica de onomatopeia polifonia sonora cores timbres ideias performáticas |
| url | https://revistas.ufg.br/musica/article/view/79406 |