GESAMTKUNSTWERK, UM ENCONTRO COM VÊNUS
The perspective adopted in this research, tells about the most general interartistics relations, and specially, the relations between music and image, sound and visual through movie productions. First, the fictionalized historical biography, permits the following of cliché of correlations between so...
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| Tipo de documento: | Tesis de maestría |
| Estado: | Published version |
| Fecha de publicación: | 2008 |
| País: | Brasil |
| Institución: | UFG |
| Repositorio: | Repositório Institucional da UFG |
| Lenguaje: | Portugués |
| OAI Identifier: | oai:repositorio.bc.ufg.br:tde/2712 |
| Acceso en línea: | http://repositorio.bc.ufg.br/tede/handle/tde/2712 |
| Nivel de acceso: | Acceso abierto |
| Palabra clave: | música arte biografia Richard Wagner Interartes music music composer CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA |
| Sumario: | The perspective adopted in this research, tells about the most general interartistics relations, and specially, the relations between music and image, sound and visual through movie productions. First, the fictionalized historical biography, permits the following of cliché of correlations between sound and image. Second, the cinematography offers other potentialities, as the film as creation of world, in a strong rupture with the traditional audiovisual articulation. In this biography, investigates the art conception that is in Wagner s Work, and especially we ll see a bibliographic theme of a full art [Gesamtkunstwerk]. In this domain, has an approach comprehension of romantic roots as well a reintegration of thinking around classics the heritage ideas of Greece in XIX. We search, demonstrate an importance and representativeness of Richard Wagner in German Romancism and the present interartistic relation between sound and image in Wagner s Work. |
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