The media collectives of the networks. Some observations from humor, and beyond?
In this paper we try to contribute to the understanding of the media collectives following the work initiated by Eliseo Verón and continued by Mario Carlón. In the first instance, we synthesized the properties with which Verón characterized the media collectives differentiating them from other types...
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| Tipo de documento: | Artículo |
| Estado: | Published version |
| Fecha de publicación: | 2019 |
| País: | Uruguay |
| Institución: | Universidad ORT |
| Repositorio: | RAD |
| Lenguaje: | Español |
| OAI Identifier: | oai:rad.ort.edu.uy:20.500.11968/3997 |
| Acceso en línea: | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/2885 https://hdl.handle.net/20.500.11968/3997 http://hdl.handle.net/20.500.11968/3997 |
| Nivel de acceso: | Acceso abierto |
| Palabra clave: | collective hypermediation media social networks circulation Verón colectivo hipermediatización redes sociales mediáticas circulación |
| Sumario: | In this paper we try to contribute to the understanding of the media collectives following the work initiated by Eliseo Verón and continued by Mario Carlón. In the first instance, we synthesized the properties with which Verón characterized the media collectives differentiating them from other types of collectives. Then, we go into the appropriation of the concept that Carlón did when dealing with the new media system. And, finally, we made our contribution distinguishing some qualities of hypermedia groups found in research on youtubers and the laughable in the networks. Among them we stand out the individuation of the members of the collective and an interaction between them and the enunciator of the account that can be proposed as a discursive production system. |
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